“For those of you whose birthday it is, happy birthday. For those of you whose birthday it is not, happy not birthday” – Regina, in response to a crowd request to sing happy birthday to a fan. |
The crowd was lined up around the block by the time the doors opened for the sold out show at the Roseland Theatre Sunday night. Fans of all ages crowded in to get as close to the stage as possible. Jupiter One opened the show with a half hour set, playing songs such as “Volcano” and “Lights Go Out” which easily got the crowd pumped up. I was not familiar with the New York band prior to the show, but they won me over with their music which incorporated a variety of instuments. In addition to the normal guitars, keyboards, and drums, there was also brief use of a violin, flute, harmonica, tambourine, and xylophone. They kept things entertaining in between songs with little stories about their time in Portland. “It's official. Portland knows how to party on Halloween!” singer K Ishibashi exclaimed at one point, as apparently they had quite a fun time the night before. Singer and guitarist Zac Cowell shared with the audience that he had found his pants at Buffalo exchange, a popular second-hand store in town. Jupiter One played a mix of songs from both of their albums, which did a wonderful job at both displaying their talents and getting the audience excited for headliner Regina Spektor.
After a 45-minute break, Regina Spektor finally appeared on stage to overwhelming applause and cheers. Sweetly dressed in black and white, she simply smiled and waved to the crowd, then sat down at her Steinway to start the show. She opened with the first two songs from her newest album, “The Calculation” and “Eet”. Backed by cello, violin (played by Ishibashi of Jupiter One), and drums, she went through the beginning of her set with little to say other than some thank yous to the crowd and occasionally introducing the next song. With the start of each song, the crowd burst into cheers, especially on such favourites as “On the Radio”.
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Regina moved to her keyboard to play “Dance Anthem of the 80s” and her musicians left her alone to sing “Bobbing for Apples” acoustically and play the guitar. This was the first time that we started to see her personality as she had trouble remembering the words to the song. “F**k! I can't remember it!” After a couple false starts, and sharing about how she's had to burp the whole show, she asked the audience if she had the words right and made it through the song. It was nice to finally be able to see her humour and persona, and she seemed much more at ease through the last half of the show. Regina remained on guitar for “That Time” during which she inserted that the pigeon in the song really happened. She played the piano for the majority of the rest of the show, although she displayed some impressive skills during “Poor Little Rich Boy” by playing piano with one hand and drumming on a chair with the other.
The five song encore was impressive and included “Samson” which the crowd has been yelling for throughout the show and “Fidelity”, one of her most well known songs. She ended the show with a country song she wrote called “Love You're a Whore” -- “Don't ask me how I wrote a country song, but I did.” The crowd went crazy.

*The question marks on the playlist were “Human of the Year” and “Man of a Thousand Faces”
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